The Hounding Of David Oluwale (Preview)

The first time I came across the book by the same title, I was rather saddened by the story. It is still on my Amazon wish list of books to buy and read. However, I have not been able to get round to reading the book despite promises to do so.

So, imagine how excited I was when I heard it had been adapted for the stage. So far, the reviews have been great and I can't wait for the experience. These are the type of stories I love to see on stage. When a great injustice is brought to life and tackled head-on.

This is one of the reasons I love the stage. The characters tell you their stories. You are not being spoon-fed but they are telling it like it is and leaving it to you, to draw your own conclusions.

It has been described as a shocking and engrossing story. Now, I hope it lives up to expectations because I am seeing it on Saturday. Yippee!!!!

Back In Town

I am not keen on productions that try to solve all of our love problems. Some of them get lost and others...just have no head or tail. That's not to say a few have not managed it. But when a play is focused on how to find 'The One' then that worries me because it might just be a waste of my time.

Where is My Desi Soul Mate? A new production by Rifco Arts is the first play I have seen this year. I was not expecting the gritty realism of ‘Township Stories’ or the poetic language of Shakespeare or the animation you get when watching John Kani on stage. I just wanted to get into a theatre, sit down and see some characters on stage tell me a story. Okay, not the most gripping production but it made me laugh. For the one hour I was in that theatre, I forgot about the fact that I was turned down for a job a few hours earlier, despite being so upset before I got there. It didn’t matter that my feet was hurting like hell due to the heels I had on. I had left everything at the door and settled down for these characters to tell me their stories. Funny at some points and a little slow at others but it was okay. I saw someone else cry and they made me laugh.

That’s the beauty of theatre, you forget your struggles for an hour or more as you get immersed into the story. My friend once described going to the theatre as going to creative church with the exception that you don’t get to holler and scream because you are not hearing a sermon.

I had forgotten what it was like to sit back and let other people tell you a story you know nothing about. I have really missed that. I must start going out again. I need to get a feel of what the London audience is happy to pay for. Most of all, I need others to challenge my creative mind so I can get my creative juice flowing again. I’m back in town and so it is.

Homecoming

I don't know about you but when I have been away from something for a while it takes a lot of courage and effort to get back into it. Hence, one of the reasons I get so nervous when I have to put anything I’m passionate about on hold. But that’s what I have done for the last 6/7 months. Was keen to learn about a different part of life and work, so I put my writing on hold…don’t get me wrong, I wrote something everyday, my journal, for my eyes only, my rants and musings blog page (every now and gain) letters, articles… you name it.

I was writing but not working my creative juice as far my playwriting was concerned. Opened the last play I was working on this morning and I went blank. I just froze in time because I got scared that I didn’t know how to write anymore. Alan Ayckbourn, where are you??? I need help. Where is your book, The Crafty Art of Playmaking? I need to read that again. Susan Lori-parks, where are you? I am getting my copy of TopdogUnderdog out and I mean right now. Help!!!!!!!!!!

I am really looking forward to writing again but at the same time scared that I may not know how or may not get it right. I want that skill which got me a firs class for playwriting at university back. The question is how do I get it back??? My intuition tells me, Belinda, just WRITE! Write and write because that’s the only way you are going to get back into it and get better.

I also need to get out and see more plays. I can count the number of productions I have seen recently and it is dismal. I won’t tell you.

But I am going to sit down and write. I am going to go out and see more plays. I am coming back home and I don’t care if the butterflies are dancing in the pit of my stomach. I don’t care if I get nervous. I don’t care what the first few feedbacks are going to be like. I am going to write and just keep writing until I get better.

It is a process and here is to my homecoming.

Torn

If there is one theatre production you must see this year, make sure TORN is the name

Written by Femi Oguns and directed by Raz Shaw, Torn is back at the Arcola Theatre, Stoke Newington, Hackney.

A formidable cast which includes, Jocelyn Jee Essien, well known for the TV shows, 3 Non Blondes and Little Miss Jocelyn, Kelly Bryan and Wil Johnson,

A controversial and sensitive subject, Torn explores the tensions between Afro-Caribbean and African communities through the lines of cross-cultural relationships.

What has love got to do with colour or race or place of origin?

These are some of the questions the play hopes to invoke in the audience.


Its aim is to break down the stereotypical views we hold of each other.

A must see for 2008

For more information visit: www.arcolatheatre.com

Falling In Love With Shakespeare

If you want me to tell it like it has always been, here it is. The thought of studying Shakespeare back at school was scary. I didn't like or appreciate the language. It was difficult to understand and it really got under my skin. I honestly felt like I was being asked to read the bible for my English literature class.

However, this is the biggest joke of all; I fell in love with Macbeth and Othello. Macbeth till this day remains one of my favourite Shakespeare texts. The dramatic techniques in that text alone, makes me want to write a new play each time I read it.

Othello, you have to fall in love with him, a man of honour and strength, yet so weak and fallible. It goes to show no matter how strong or highly placed you are in life; there is always that one thing something which gets the better of you. In Othello's case, that's Desdemona and if you don't like Iago, I am tempted to ask why.

Imago is that colleague who smiles at you but stabs you in the back and b**ch about you. You that one, that's right, there are lots of Iago's around today. One can never be careful... Crafty, vindictive, spiteful and hateful, you name it, he is the real deal. No messing about on that one.

Those were the texts of Shakespeare I loved as a teenager and still do. But recently, that has changed. I finally fell in love with the boy from Stratford-Upon-Avon, all over.

The Histories, a fistful of plays by William Shakespeare popularly known as the History Cycle, opened in Stratford-Upon-Avon back in 2006 to critical acclaim and rapturous audience response.

Back in 2006, I knew nothing about the Histories. I was just another journalist, chasing after my own story and doing what I love to do best, write my plays. You know how we do it, well, come 2007, I get the opportunity to work with the RSC. Low and behold, I finally get the opportunity to see my first Shakespeare production, Henry V. I loved every minute of it. The dramatic action was consistent. The language was beautiful and sounded great. It was eloquently delivered by the actors. It had humour, it had style and above all, was and still is one of the most memorable piece of theatre I have ever seen. It is an event that will stay with me for a very long time.

This is the part that blew me, English history will take years to explore but Shakespeare’s ability to capture a period of time within these plays is fascinating and had critics rolling over to get the best angle they could on their reviews.

Finally the show comes to London and I have the opportunity to witness the whole cycle of plays in repertoire at the Roundhouse theatre. You bet I didn’t miss a day. I loved every minute of it - Richard II and III, Henry IV Parts I and II, and Henry VI Parts I, II and III – this was my one opportunity to experience English history with Londoners.

For me, Henry VI trilogy will always stand out because it had Chuk Iwuji in the lead role of Henry VI. The RSC did it again, cross-casting and for me, that stood out. It is an experience Iwuji himself describes as “The most joyfully, challenging, frustrating and enlightening experience of my life. I think that just encapsulates professional life anyway.”

To see one man have to suffer and be as helpless as his character was, despite being a king was truly breathtaking. Breathtaking not because he fought back but because the character of the man that he truly is came through to me as an audience member ever step of the way. Crowned king at 9 months old, that’s a job for anyone to take on. Yet he remained true to himself. You could call him an ineffective king because the actions of others move him about and I personally believe his decision making ability is crap. But who is to say, a king cannot have a heart.

The level of hatred which existed between the house of York and Lancaster was terrifying. Everyone made claim to the throne. People switched allegiance to the king and each other like they were changing their electricity or gas supplier.

I can truly say, without a doubt, this has been one of those moments where you experience a form of theatre you are not used to and you say WOW! I loved every minute of it. The characters, the staging, costumes, lighting, stage design and the music, was marvellous.

To sum it up, I was part of history and that is what theatre should always be about.

Image: Chuk Iwuhi as Henry VI
Credit: Ellie Kurtz and the RSC

http://www.bbc.co.uk/london/content/articles/2008/04/21/yourstories_shakespeare_histories_feature.shtml

Celia - The New Players Theatre - May 2008

What choice do you have in life when the actions of others constantly shapes your world? How painful is it when you are moved and shook by others but have no say in the affairs of your life. These are some of the questions raised by Celia, a new production from Word of Mouth Media.

Set 50 years after the 1807 act that brought an end to slave trade but not slavery, Celia is the story of one woman’s painful journey that has left a mark in history. From her childhood days, Celia never had the opportunity to decide where she wanted to wake up or what her actions of the day would entail. Left behind as a baby by her parents, slaves fleeing from their owners, Celia is looked after by her aunt Letty. Letty does her best to ensure Celia gets the best life has to offer considering their predicament as slaves owned by fellow human beings like themselves. Letty could not have put it better for young Celia to understand when she said, “God created in glory of colour but man has divided in black and white.”

Soon, Celia’s friendship with Richardson, who takes a romantic interest her, gets her into more trouble than imagined. Young Celia is auctioned off to another owner. Whose actions will forever change the course of her life. A painful journey for any woman, Celia represents the many slave women who endured atrocities against humanity and their womanhood in silence and had no power to change their situation.

A tale of beatings and brutality, where men are separated form their wives and children, and women are repeatedly raped by their masters. Even the white preacher’s sermon focuses more on slaves being corrected by their masters rather than the freedom God has allowed for all. Celia is a thought-provoking production that takes you back to a time in history and forces you to examine the actions of man.

While Celia is a great story, worthy of the stage and it has its entertaining moments, it lacks direction in areas such as setting, not once is it made clear to the audience where the play is set. If you are not fully aware of the history of slavery, you might have to work extra hard to figure that out for yourself. Though it is not clear if the director’s intent was for the actors to use their British ascent throughout this production, the language was lacking also and overall, the production could have done with more energy.

Nonetheless, this is a story worth telling for the sheer courage of one woman to stand up for herself.

For more information, visit: http://www.newplayerstheatre.com/

Tel: 08700 600 100

Image: Stuart Allen

Oxford Street - Royal Court Theatre - May 2008

Levi David Addai just keeps them the plays rolling in. His latest offering, Oxford Street, puts life on one of Britain’s busiest street as it is, onto the British stage.

Set in a discount sportswear shop, with characters that are easily recognisable if you have dared to brace one of Europe’s most famous shopping districts. Oxford Street tells the story of Kofi, a university graduate, who dreams of becoming a journalist but for now, he has to settle for the role of a security guard at Total Sports. While he plans the best way to work his way up on the journalism ladder.

Kofi gets on with his colleagues and is fond of the fast talking Loraina, who dreams of making it big time in the music industry, claiming, “I didn’t pick performing arts, performing arts chose me.” An all too familiar statement if you have ever had to hold down a part time job while pursuing your dream. His boss, Emmanuel (Cyril Nri) has a soft spot for him. Things are running smoothly until Darrell, an old mate turns up and Kofi has to make some tough decisions.

Soutra Gilmour’s ability to turn The Jerwood theatre Upstairs into one of the most vibrant sports shop in theatre has to be commended for the way it replicates life as you know it in any one of the sports shop on Oxford Street on the stage.

Dawn Walton’s direction of Oxford Street is lively and without a doubt, a witty and entertaining production that captures a slice of life for what it is. The cast is equally as vibrant. They are not afraid to tell you about their dissatisfaction but they are able to maintain their sense of humour.

Nathaniel Martello-White is strong as Kofi and Ashley Walters captures the trouble making Darrell superbly. Preeya Kalidas is brilliant as Loraina and Kristian Kiehling is the Polish security guard who takes his job more seriously than life itself but he will make you laugh.

Addai’s ability to capture life from the British African viewpoint and posses a voice that tells you about life in London as it is, is to be admired. If this young man continues on this path, this is a name you are bound to see and hear more of on the British theatre scene in years to come.

Director Dawn Walton
Designer Soutra Gilmour
Lighting Philip Gladwell
Sound Carolyn Downing
Movement Ann Yee
Cast: Reece Beaumont, Preeya Kalidas, Daniel Kaluuya, Kristian Kiehling, Amelia Lowdell, Nathaniel Martello-White, Cyril Nri, Ashley Walters, Shane Zaza


Oxford Street is now showing at the Royal Court Theatre until 31 May 2008

Visit: www.royalcourttheatre.com

Tel: 0207 565 5000

Image: Johan Persson